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Drainolith: Hysteria

From the label:
“Following up 2012’s Fighting! full length, Hysteria reaches new levels in the Drainolith sound world, resulting in Alexander Moskos’ most fully realized record to date. Moskos has spent years marinating solo in the cold Northern underground, cutting his chops as lead axegrinder with Montreal-based noise punks AIDS Wolf, and most recently rolling with North American all-star clan Dan’l Boone. Hysteria is the result of nearly two years spent in various studios with producers and fellow ‘Boone brothers Nate Young (Wolf Eyes) and Neil Hagerty (Royal Trux), working diligently together to take a few steps beyond “trip metal” and extract the skeleton out of “rock”, inserting it into a newer, much weirder, humanoid skin. The epicenter of this sound rests humbly on the foundation of guitar and voice, two facets of sound that Moskos has carefully cultivated through years of experimentation and digestion from a wide array of musical influences. The relaxed, loose, and energetically electric technique of guitar playing is reinforced by Drainolith’s unrivaled tone, which has morphed throughout the years but now stands alone atop a mountain of shredders. It is ripe with Bluesy fuzziness and the humanity of Americana, while punctuated by the gritty stab of 80’s death metal, and further rounded out with a sprinkling of EVH-esque chorus zones and free jazz adventurousness. The result is a sound that pre-dates the internet in a fabulous way. Each note seems to leave behind a glistening impression like a spot of grease on a pizza box. A tone as unique as this is only bolstered by the vocal delivery, the literal voice of the mind of Moskos. This beautifully cold, dripping baritone is unmistakable, it’s fried-yet-poetic articulation recalling a halfway point between a melting Dylan and a blazed Robert Ashley. Over-tired, over-wired, and over it. Moskos lets every word kerplunk into a mesmerizing puddle of observation, giving something as mundane as staring out the window or a Vancouver hotel foyer the poignancy of a published work. With guitar and voice at the core, the additional instrumentation on Hysteria is the bizarre glue that binds it all together, using the palette of electronics, keys, and haphazardly triggered beats and percussion in an intensely layered fashion to ensure maximum disorientation.”
Hysteria is out June 2 on NNA Tapes; listen to “No Name (Dany Kane’s Blues)” below.


About foamhands

My name is Michael Dix; I'm a decade or so past being down with the kids, but to me new music never gets old. Apparently I like music that sounds like faulty kitchen appliances and ritual slaughter; really I just like what I like, whether that happens to be indie, pop, punk, hip hop, metal, electronica, Afrobeat or jazz. Follow me on Twitter @FoamHandsBlog to receive notifications of new posts and the occasional random brain-fart, and please share links wherever you can. Enjoy!

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